And These Are The Banks Of The Left Behind
21 x36 in. - Mixed Media And Oil On Masonite - 2007
Lorie Corbus is a Savannah, Georgia based artist.
www.loriecorbus.com
Showing posts with label abstract. Show all posts
Showing posts with label abstract. Show all posts
Tuesday, January 29, 2008
Lorie Corbus
And These Are The Banks Of The Left Behind
21 x36 in. - Mixed Media And Oil On Masonite - 2007
Lorie Corbus is a Savannah, Georgia based artist.
www.loriecorbus.com
Thursday, January 24, 2008
Jennifer Caviola
Acrylic on canvas - 2007
Painter, Jennifer Caviola is based in Brooklyn New York.
jennifercaviola.com
Tuesday, January 22, 2008
Chris Trueman
Strongman
38 x 38 in. - mixed media on wood panel - 2006
Chris Trueman Is a mixed media artist working in Berkeley, California. He will be part of a show entitled "The Abstraction Distraction" curated by Glen Barr at M Modern Gallery in Palm Springs, opening feb 16th. Also another show in Oakland, CA at Joyce Gordon Gallery that opens in May.
www.christrueman.com
Tuesday, October 9, 2007
Ryan M. Wallace
“It Is A New New New New Dawn Now” - 21” x 28” - oil, alkyd, ink, paper, on paper - 2006
“What Are We Doing Now, What Are We Doing Wrong” - 37” x 38” - oil, alkyd, acrylic, ink, graphite, paper on paper - 2007
“In Staring the Future of Peripatetic Ways” - 22” x 24” - oil, alkyd, acrylic, ink, paper on canvas - 2006
New York artist, Ryan M. Wallace, paints wonderful landscapes filled with pattern and icy restrained colors. These pastel paradises are deconstructed and stylized dreams to walk through. His website has tons of work to pour over; definitely worth a look.
www.ryanmwallace.com
Thursday, August 2, 2007
Alisha Gould
Urchin
2007
3.5' x 2.5'
paper, ink, fabric
Sirens
2006
2.5' x 2.5' x 1.75' largest
styrofoam, plaster, canvas, thread, flocking
In her sculptures, Alisha Gould makes use of forms derived from nature to explore universal human concerns. The sculptures are all meticulously fabricated from inventive combinations of materials. Alisha merges seemingly opposite elements within a single form or group of forms -- sharp with soft, alluring with repellent, clean with dirty, to create compelling objects and spaces. The work has a graceful quietness that lends itself to slow contemplation of ideas about the basic framework of human relations, the world around us and how and where we all fit. The artist succeeds in opening a dialogue where we can examine intimate ideas within the context of vaguely familiar, abstract environments. Alisha's website is clean, well organized and easy to navigate. Along with images of 3-d work, she also includes a small section of prints which have a clear connection to the rest of the work. http://www.alishagould.com/index.html
2007
3.5' x 2.5'
paper, ink, fabric
Sirens
2006
2.5' x 2.5' x 1.75' largest
styrofoam, plaster, canvas, thread, flocking
In her sculptures, Alisha Gould makes use of forms derived from nature to explore universal human concerns. The sculptures are all meticulously fabricated from inventive combinations of materials. Alisha merges seemingly opposite elements within a single form or group of forms -- sharp with soft, alluring with repellent, clean with dirty, to create compelling objects and spaces. The work has a graceful quietness that lends itself to slow contemplation of ideas about the basic framework of human relations, the world around us and how and where we all fit. The artist succeeds in opening a dialogue where we can examine intimate ideas within the context of vaguely familiar, abstract environments. Alisha's website is clean, well organized and easy to navigate. Along with images of 3-d work, she also includes a small section of prints which have a clear connection to the rest of the work. http://www.alishagould.com/index.html
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